The Mysterious Affair at Styles Playbook 2 — The Investigation Begins
A Playbook Series Adaptation · Verified public domain in the United States · Adapted by Kateule Sydney · E-cyclopedia Resources Hub
A locked bedroom, a shattered coffee cup, a scrap of green fabric, and a half-burnt will. Poirot walks through the room where Emily Inglethorp died and finds what no one else has thought to look for — the small, quiet details that will decide whether a murderer walks free or hangs.
Series Plan
Source: The Mysterious Affair at Styles
Author: Agatha Christie
First published: 1920 (United States)
Public domain: Verified for the United States; other jurisdictions should be checked independently
Source length: Approximately 57,000 words (13 chapters)
This Playbook: Playbook 2 of 5, covering Chapters IV–V and the opening of Chapter VI
Target length: 6,000–8,500 words
Source reference: Project Gutenberg, The Mysterious Affair at Styles (public-domain edition)
Method declaration: This post is an original adaptation of a verified public-domain source. Narrative events, characters, settings, and historical elements are derived from the source where applicable. The prose, dialogue, organization, pacing, framing, commentary, and presentation are newly written for this adaptation. No copyrighted modern translation or later adaptation has been reproduced.
Previous Playbook — Playbook 1 | Playbook 2 of 5 | Next Playbook — Playbook 3
Previously in the Series: Arthur Hastings arrived at Styles Court as a guest of his old acquaintance John Cavendish, and found a household divided by the recent marriage of the elderly Mrs. Inglethorp to a much younger man named Alfred Inglethorp. On the night of July 16th, after a quarrel between the couple, Emily Inglethorp was taken violently ill in her locked bedroom, and died in convulsions before dawn — her last words the name of her husband. Hastings called in his old friend Hercule Poirot, and together they walked up to the house to begin the investigation.
Table of Contents — The Investigation Begins
Chapter I — The Death of Emily Inglethorp
Chapter II — The Six Points of Interest
Chapter V — The Cocoa and the Coffee
Chapter I — The Death of Emily Inglethorp
The house was quiet when we reached it, in the particular way that a house is quiet after a death — not silent, but hushed, as if the walls themselves were holding their breath. Poirot walked up the drive slowly, his eyes moving over the house and the grounds with the careful attention of a man who believes that a building can be read. He had said very little on the way up from the village, and I had learned, in the course of the past hour, that this was his habit when he was thinking. He did not fill silences. He let them do their work.
John Cavendish met us at the door. He looked tired and unwell, and there was a greyness under his skin that had not been there the day before. He shook Poirot's hand, and said that he was glad we had come, and led us into the morning-room, where a small fire had been lit against the chill of the early morning. The room smelled of damp wood and old paper.
"This is a very dreadful business, Monsieur Poirot," he said. "Hastings has explained to you that we are anxious for no publicity?"
"I comprehend perfectly."
"You see, it is only suspicion so far. We have nothing to go upon."
"Precisely. It is a matter of precaution only."
John nodded, and took out his cigarette-case, and lit a cigarette, and then, as if remembering something, glanced at Poirot and asked whether he would prefer that no one smoked. Poirot said that he did not object at all, and John, oddly, seemed to take this as a small reassurance, as if the ordinary courtesies of the house might somehow hold off the extraordinary thing that had come into it.
He told us that Dr. Bauerstein had advised that both rooms — his mother's bedroom and the adjoining room that had been her husband's — should be kept locked, and that he had given the keys to John. He had taken the further step of sending telegrams, one of the first to Evelyn Howard, who was working as a nurse at a hospital in Middlingham, and of writing notices for the papers. These were the melancholy duties that a death entails, and he had performed them with the steady, unimaginative competence of a man who is more at home in action than in reflection.
Poirot asked whether Mr. Inglethorp had returned. John said that he had — he had come in about an hour before, and had gone up to his room to lie down. Poirot asked, in a carefully neutral voice, whether Mr. Inglethorp had explained his absence, and John said that he had, and that the explanation was that he had been kept late by their agent, Mr. Denby, and had found that he had forgotten his latch-key, and had spent the night at Denby's house rather than disturb the household.
Poirot nodded, and said nothing, and asked whether he might be shown the room.
John led us up the broad staircase, which forked right and left halfway to different wings of the building, and along the gallery that connected the two wings. He unlocked the door of Mrs. Inglethorp's bedroom, and stood aside to let us pass, and then, at Poirot's request, locked it again from the inside, and stood by the door with his back to it, his arms folded, watching us.
I had not been in the room since the night of the tragedy. It was strange to see it now in the grey morning light. The bed was still unmade, the pillows still bearing the impression of the dead woman's head. The table by the bed had been overturned, and the reading-lamp and the books and the matches and the bunch of keys lay where they had fallen. The coffee-cup was in fragments on the floor, ground almost to powder. The curtains were half drawn, and a thin, dusty light fell across the scene, making everything look older and more worn than it had any right to look.
Poirot stood for a long moment in the centre of the room, not moving, not speaking, simply looking. I have seen him do this many times since, and I have come to understand that it is not idleness but preparation — that he is, in some way I cannot fully explain, emptying his mind of everything he expects to see so that he may see what is actually there.
Then he began. He moved from object to object with the quick, precise movements of a man who knows exactly what he is looking for, and yet is prepared to be surprised. He examined the lock of the door we had broken in, and satisfied himself that the bolt had been shot. He examined the door leading into Cynthia's room, and found, as we had found, that it was bolted. Then he unbolted it, and opened and shut it several times, with the utmost precaution against making any noise, and something in the bolt itself seemed to rivet his attention, and he took out a small pair of forceps and drew out some minute particle which he carefully sealed up in a tiny envelope.
He examined the chest of drawers, on which stood a tray with a spirit lamp and a small saucepan, and a cup and saucer that had been drunk out of. He dipped his finger into the dark fluid that remained in the saucepan, and tasted it, and made a grimace.
"Cocoa — with — I think — rum in it," he said.
He went on to the debris on the floor, and knelt beside it, and looked at the shattered cup for a long time. Then he rose, and walked slowly across to the mantelpiece, and stood there, fingering the ornaments, and straightening them, which is a trick of his when he is agitated, and which I had learned to recognise.
"Mon ami," he said at last, turning to me, "somebody stepped on that cup, grinding it to powder, and the reason they did so was either because it contained strychnine or — which is far more serious — because it did not contain strychnine."
I made no reply. I was bewildered, but I knew that it was no good asking him to explain.
Chapter II — The Six Points of Interest
Poirot worked on in silence for some time. He examined the drawers of the washstand, and the writing-table, and the small purple despatch-case that stood upon it with a key in the lock. He took out the key and passed it to me to inspect, and I saw nothing peculiar about it — an ordinary Yale key, with a bit of twisted wire through the handle. He picked up the bunch of keys from the floor, and twirled them round in his fingers, and finally selected one, very bright and shining, which he tried in the lock of the despatch-case. It fitted. He opened the box, and glanced at the papers inside, and then, after a moment's hesitation, closed and relocked it, and slipped the bunch of keys, as well as the key that had originally stood in the lock, into his own pocket.
"I have no authority to go through these papers," he said. "But it should be done — at once."
He then crossed the room to the left-hand window, and went down on his knees to examine a round stain on the dark brown carpet, hardly visible, but perceptible to a careful eye. He examined it minutely, even going so far as to smell it. Finally he poured a few drops of the cocoa from the saucepan into a test tube, and sealed it up carefully. Then he took out a little notebook, and began to write in it.
"We have found in this room," he said, "six points of interest. Shall I enumerate them, or will you?"
"Oh, you," I replied hastily.
"Very well, then. One, a coffee-cup that has been ground into powder; two, a despatch-case with a key in the lock; three, a stain on the floor."
"That may have been done some time ago," I interrupted.
"No, for it is still perceptibly damp and smells of coffee. Four, a fragment of some dark green fabric — only a thread or two, but recognizable."
"Ah!" I cried. "That was what you sealed up in the envelope."
"Yes. It may turn out to be a piece of one of Mrs. Inglethorp's own dresses, and quite unimportant. We shall see. Five, this!" With a dramatic gesture, he pointed to a large splash of candle grease on the floor by the writing-table. "It must have been done since yesterday, otherwise a good housemaid would have at once removed it with blotting-paper and a hot iron."
"It was very likely done last night," I said. "We were very agitated. Or perhaps Mrs. Inglethorp herself dropped her candle."
"You brought only one candle into the room?"
"Yes. Lawrence Cavendish was carrying it. But he was very upset. He seemed to see something over here" — I indicated the mantelpiece — "that absolutely paralysed him."
"That is interesting," said Poirot quickly. "Yes, it is suggestive" — his eye sweeping the whole length of the wall — "but it was not his candle that made this great patch, for you perceive that this is white grease; whereas Monsieur Lawrence's candle, which is still on the dressing-table, is pink. On the other hand, Mrs. Inglethorp had no candlestick in the room, only a reading-lamp."
"Then," I said, "what do you deduce?"
To which my friend only made a rather irritating reply, urging me to use my own natural faculties.
"And the sixth point?" I asked. "I suppose it is the sample of cocoa."
"No," said Poirot thoughtfully. "I might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present."
He looked quickly round the room. "There is nothing more to be done here, I think, unless" — he stared earnestly and long at the dead ashes in the grate. "The fire burns — and it destroys. But by chance — there might be — let us see!"
Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation.
"The forceps, Hastings!"
I quickly handed them to him, and with skill he extracted a small piece of half-charred paper.
"There, mon ami!" he cried. "What do you think of that?"
I scrutinized the fragment. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.
"Poirot!" I cried. "This is a fragment of a will!"
"Exactly."
I looked up at him sharply.
"You are not surprised?"
"No," he said gravely, "I expected it."
I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside.
Chapter III — The Burnt Will
We passed through Alfred Inglethorp's room on our way out, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. It was a small room, neat to the point of severity, with a single bed that had clearly not been slept in, a writing-desk that was locked, and a wardrobe that contained, I noticed, a good many clothes — more, I thought, than a man of Inglethorp's modest means might have been expected to possess. Poirot looked at the clothes, and then at the desk, and then at the bed, and said nothing at all, and led the way out into the corridor, and locked both doors behind him.
We went down to the boudoir, which Mrs. Inglethorp had used as her private sitting-room, and which she had occupied on the last afternoon of her life. Poirot asked a few questions about the room, and then said that he would like to speak to the parlourmaid, and I went to fetch Dorcas, and when I returned with her, the boudoir was empty.
"Poirot," I cried, "where are you?"
"I am here, my friend."
He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds.
"Admirable!" he murmured. "Admirable! What symmetry! Observe that crescent; and those diamonds — their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?"
"Yes, I believe they were at it yesterday afternoon. But come in — Dorcas is here."
"Eh bien, eh bien! Do not grudge me a moment's satisfaction of the eye."
"Yes, but this affair is more important."
"And how do you know that these fine begonias are not of equal importance?"
I shrugged my shoulders. There was really no arguing with him if he chose to take that line.
Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant, and she was, I could see, deeply and genuinely grieved by her mistress's death. In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair.
"Pray be seated, mademoiselle."
"Thank you, sir."
"You have been with your mistress many years, is it not so?"
"Ten years, sir."
"That is a long time, and very faithful service. You were much attached to her, were you not?"
"She was a very good mistress to me, sir."
"Then you will not object to answering a few questions. I put them to you with Mr. Cavendish's full approval."
"Oh, certainly, sir."
"Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?"
"Yes, sir. But I don't know that I ought —" Dorcas hesitated.
Poirot looked at her keenly.
"My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress's secrets. Your mistress lies dead, and it is necessary that we should know all — if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice."
"Amen to that," said Dorcas fiercely. "And, naming no names, there's one in this house that none of us could ever abide! And an ill day it was when first he darkened the threshold."
Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked:
"Now, as to this quarrel? What is the first you heard of it?"
"Well, sir, I happened to be going along the hall outside yesterday —"
"What time was that?"
"I couldn't say exactly, sir, but it wasn't tea-time by a long way. Perhaps four o'clock — or it may have been a bit later. Well, sir, as I said, I happened to be passing along, when I heard voices very loud and angry in here. I didn't exactly mean to listen, but — well, there it is. I stopped. The door was shut, but the mistress was speaking very sharp and clear, and I heard what she said quite plainly. 'You have lied to me, and deceived me,' she said. I didn't hear what Mr. Inglethorp replied. He spoke a good bit lower than she did — but she answered: 'How dare you? I have kept you and clothed you and fed you! You owe everything to me! And this is how you repay me! By bringing disgrace upon our name!' Again I didn't hear what he said, but she went on: 'Nothing that you can say will make any difference. I see my duty clearly. My mind is made up. You need not think that any fear of publicity, or scandal between husband and wife will deter me.' Then I thought I heard them coming out, so I went off quickly."
"You are sure it was Mr. Inglethorp's voice you heard?"
"Oh, yes, sir, whose else's could it be?"
"Well, what happened next?"
"Later, I came back to the hall; but it was all quiet. At five o'clock, Mrs. Inglethorp rang the bell and told me to bring her a cup of tea — nothing to eat — to the boudoir. She was looking dreadful — so white and upset. 'Dorcas,' she says, 'I've had a great shock.' 'I'm sorry for that, m'm,' I says. 'You'll feel better after a nice hot cup of tea, m'm.' She had something in her hand. I don't know if it was a letter, or just a piece of paper, but it had writing on it, and she kept staring at it, almost as if she couldn't believe what was written there. She whispered to herself, as though she had forgotten I was there: 'These few words — and everything's changed.' And then she says to me: 'Never trust a man, Dorcas, they're not worth it!' I hurried off, and got her a good strong cup of tea, and she thanked me, and said she'd feel better when she'd drunk it. 'I don't know what to do,' she says. 'Scandal between husband and wife is a dreadful thing, Dorcas. I'd rather hush it up if I could.' Mrs. Cavendish came in just then, so she didn't say any more."
"She still had the letter, or whatever it was, in her hand?"
"Yes, sir."
"What would she be likely to do with it afterwards?"
"Well, I don't know, sir, I expect she would lock it up in that purple case of hers."
"Is that where she usually kept important papers?"
"Yes, sir. She brought it down with her every morning, and took it up every night."
"When did she lose the key of it?"
"She missed it yesterday at lunch-time, sir, and told me to look carefully for it. She was very much put out about it."
"But she had a duplicate key?"
"Oh, yes, sir."
Dorcas was looking very curiously at him and, to tell the truth, so was I. What was all this about a lost key? Poirot smiled.
"Never mind, Dorcas, it is my business to know things. Is this the key that was lost?" He drew from his pocket the key that he had found in the lock of the despatch-case upstairs.
Dorcas's eyes looked as though they would pop out of her head.
"That's it, sir, right enough. But where did you find it? I looked everywhere for it."
"Ah, but you see it was not in the same place yesterday as it was to-day. Now, to pass to another subject, had your mistress a dark green dress in her wardrobe?"
Dorcas was rather startled by the unexpected question.
"No, sir."
"Are you quite sure?"
"Oh, yes, sir."
"Has anyone else in the house got a green dress?"
Dorcas reflected.
"Miss Cynthia has a green evening dress."
"Light or dark green?"
"A light green, sir; a sort of chiffon, they call it."
"Ah, that is not what I want. And nobody else has anything green?"
"No, sir — not that I know of."
Poirot's face did not betray a trace of whether he was disappointed or otherwise. He merely remarked:
"Good, we will leave that and pass on. Have you any reason to believe that your mistress was likely to take a sleeping powder last night?"
"Not last night, sir, I know she didn't."
"Why do you know so positively?"
"Because the box was empty. She took the last one two days ago, and she didn't have any more made up."
"You are quite sure of that?"
"Positive, sir."
"Then that is cleared up! By the way, your mistress didn't ask you to sign any paper yesterday?"
"To sign a paper? No, sir."
"When Mr. Hastings and Mr. Lawrence came in yesterday evening, they found your mistress busy writing letters. I suppose you can give me no idea to whom these letters were addressed?"
"I'm afraid I couldn't, sir. I was out in the evening. Perhaps Annie could tell you, though she's a careless girl. Never cleared the coffee-cups away last night. That's what happens when I'm not here to look after things."
Poirot lifted his hand.
"Since they have been left, Dorcas, leave them a little longer, I pray you. I should like to examine them."
"Very well, sir."
"What time did you go out last evening?"
"About six o'clock, sir."
"Thank you, Dorcas, that is all I have to ask you." He rose and strolled to the window. "I have been admiring these flower beds. How many gardeners are employed here, by the way?"
"Only three now, sir. Five, we had, before the war, when it was kept as a gentleman's place should be. I wish you could have seen it then, sir. A fair sight it was. But now there's only old Manning, and young William, and a new-fashioned woman gardener in breeches and such-like. Ah, these are dreadful times!"
"The good times will come again, Dorcas. At least, we hope so. Now, will you send Annie to me here?"
"Yes, sir. Thank you, sir."
Chapter IV — Dorcas Speaks
When Dorcas had gone, I turned to Poirot with the question that had been burning in my mind ever since the interview began.
"How did you know that Mrs. Inglethorp took sleeping powders? And about the lost key and the duplicate?"
"One thing at a time. As to the sleeping powders, I knew by this." He suddenly produced a small cardboard box, such as chemists use for powders.
"Where did you find it?"
"In the wash-stand drawer in Mrs. Inglethorp's bedroom. It was Number Six of my catalogue."
"But I suppose, as the last powder was taken two days ago, it is not of much importance?"
"Probably not, but do you notice anything that strikes you as peculiar about this box?"
I examined it closely.
"No, I can't say that I do."
"Look at the label."
I read the label carefully: "'One powder to be taken at bedtime, if required. Mrs. Inglethorp.' No, I see nothing unusual."
"Not the fact that there is no chemist's name?"
"Ah!" I exclaimed. "To be sure, that is odd!"
"Have you ever known a chemist to send out a box like that, without his printed name?"
"No, I can't say that I have."
I was becoming quite excited, but Poirot damped my ardour by remarking:
"Yet the explanation is quite simple. So do not intrigue yourself, my friend."
An audible creaking proclaimed the approach of Annie, so I had no time to reply.
Annie was a fine, strapping girl, and was evidently labouring under intense excitement, mingled with a certain ghoulish enjoyment of the tragedy. She was eager to talk, and Poirot, who understood such things, let her talk, and did not interrupt, and only now and then put in a question, and the questions were always the same sort of question — small, precise, and apparently casual.
He asked her about the letters Mrs. Inglethorp had written on the last evening of her life. There had been four, Annie said. One to Miss Howard, one to Mr. Wells, the lawyer, one to Ross's, the caterers in Tadminster, and one which she could not remember. She racked her brains in vain, and Poirot said that it did not matter, and did not betray any sign of disappointment.
Then he asked her about the cocoa. There was a saucepan in Mrs. Inglethorp's room with some cocoa in it, and Annie had brought it up every night, and Mrs. Inglethorp had warmed it up in the night whenever she fancied it. It was made with milk, with a teaspoonful of sugar and two teaspoonfuls of rum. Annie brought it up about quarter past seven, and put it on the table by the swing door in the left wing, and took it into Mrs. Inglethorp's room later, when she went to shut up, about eight o'clock.
"Then, between seven-fifteen and eight o'clock, the cocoa was standing on the table in the left wing?" said Poirot.
"Yes, sir." Annie had been growing redder and redder in the face, and now she blurted out unexpectedly:
"And if there was salt in it, sir, it wasn't me. I never took the salt near it."
"What makes you think there was salt in it?" asked Poirot.
"Seeing it on the tray, sir."
"You saw some salt on the tray?"
"Yes. Coarse kitchen salt, it looked. I never noticed it when I took the tray up, but when I came to take it into the mistress's room I saw it at once, and I suppose I ought to have taken it down again, and asked cook to make some fresh. But I was in a hurry, because Dorcas was out, and I thought maybe the cocoa itself was all right, and the salt had only gone on the tray. So I dusted it off with my apron, and took it in."
I had the utmost difficulty in controlling my excitement. Unknown to herself, Annie had provided us with an important piece of evidence. How she would have gaped if she had realized that her "coarse kitchen salt" was strychnine, one of the most deadly poisons known to mankind. I marvelled at Poirot's calm. His self-control was astonishing. I awaited his next question with impatience, but it disappointed me.
"When you went into Mrs. Inglethorp's room, was the door leading into Miss Cynthia's room bolted?"
"Oh! Yes, sir; it always was. It had never been opened."
"And the door into Mr. Inglethorp's room? Did you notice if that was bolted too?"
Annie hesitated.
"I couldn't rightly say, sir; it was shut but I couldn't say whether it was bolted or not."
"When you finally left the room, did Mrs. Inglethorp bolt the door after you?"
"No, sir, not then, but I expect she did later. She usually did lock it at night. The door into the passage, that is."
"Did you notice any candle grease on the floor when you did the room yesterday?"
"Candle grease? Oh, no, sir. Mrs. Inglethorp didn't have a candle, only a reading-lamp."
"Then, if there had been a large patch of candle grease on the floor, you think you would have been sure to have seen it?"
"Yes, sir, and I would have taken it out with a piece of blotting-paper and a hot iron."
Then Poirot repeated the question he had put to Dorcas:
"Did your mistress ever have a green dress?"
"No, sir."
"Nor a mantle, nor a cape, nor a — how do you call it? — a sports coat?"
"Not green, sir."
"Nor anyone else in the house?"
Annie reflected.
"No, sir."
"You are sure of that?"
"Quite sure."
"Bien! That is all I want to know. Thank you very much."
With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth.
"Poirot," I cried, "I congratulate you! This is a great discovery."
"What is a great discovery?"
"Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night."
"So you think that the cocoa — mark well what I say, Hastings, the cocoa — contained strychnine?"
"Of course! That salt on the tray, what else could it have been?"
"It might have been salt," replied Poirot placidly.
I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind.
Poirot was surveying me with quietly twinkling eyes.
"You are not pleased with me, mon ami?"
"My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine."
"A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?"
"Mr. Inglethorp's."
"Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "Voilà! It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!"
Chapter V — The Cocoa and the Coffee
We went down to the drawing-room, where the coffee-cups and the tray were still standing, exactly as they had been left on the night of the tragedy. Poirot made me recapitulate the scene of the night before, listening very carefully, and verifying the position of the various cups.
"So Mrs. Cavendish stood by the tray — and poured out. Yes. Then she came across to the window where you sat with Mademoiselle Cynthia. Yes. Here are the three cups. And the cup on the mantelpiece, half drunk, that would be Mr. Lawrence Cavendish's. And the one on the tray?"
"John Cavendish's. I saw him put it down there."
"Good. One, two, three, four, five — but where, then, is the cup of Mr. Inglethorp?"
"He does not take coffee."
"Then all are accounted for. One moment, my friend."
With infinite care, he took a drop or two from the grounds in each cup, sealing them up in separate test tubes, tasting each in turn as he did so. His physiognomy underwent a curious change. An expression gathered there that I can only describe as half puzzled, and half relieved.
"Bien!" he said at last. "It is evident! I had an idea — but clearly I was mistaken. Yes, altogether I was mistaken. Yet it is strange. But no matter!"
And, with a characteristic shrug, he dismissed whatever it was that was worrying him from his mind. I could have told him from the beginning that this obsession of his over the coffee was bound to end in a blind alley, but I restrained my tongue. After all, though he was old, Poirot had been a great man in his day.
We went in to breakfast. Everyone was assembled in the dining-room — everyone, that is, except Mrs. Inglethorp, who lay upstairs in the room that was now locked and sealed. Under the circumstances, we were naturally not a cheerful party. The reaction after a shock is always trying, and I think we were all suffering from it. Decorum and good breeding naturally enjoined that our demeanour should be much as usual, yet I could not help wondering if this self-control were really a matter of great difficulty. There were no red eyes, no signs of secretly indulged grief. I felt that I was right in my opinion that Dorcas was the person most affected by the personal side of the tragedy.
Alfred Inglethorp was at the table, acting the bereaved widower in a manner that I felt to be disgusting in its hypocrisy. Did he know that we suspected him, I wondered. Surely he could not be unaware of the fact, conceal it as we would. Did he feel some secret stirring of fear, or was he confident that his crime would go unpunished? Surely the suspicion in the atmosphere must warn him that he was already a marked man.
But did everyone suspect him? What about Mrs. Cavendish? I watched her as she sat at the head of the table, graceful, composed, enigmatic. In her soft grey frock, with white ruffles at the wrists falling over her slender hands, she looked very beautiful. When she chose, however, her face could be sphinx-like in its inscrutability. She was very silent, hardly opening her lips, and yet in some queer way I felt that the great strength of her personality was dominating us all.
And little Cynthia? Did she suspect? She looked very tired and ill, I thought. The heaviness and languor of her manner were very marked. I asked her if she were feeling ill, and she answered frankly:
"Yes, I've got the most beastly headache."
"Have another cup of coffee, mademoiselle?" said Poirot solicitously. "It will revive you. It is unparalleled for the mal de tête." He jumped up and took her cup.
"No sugar," said Cynthia, watching him, as he picked up the sugar-tongs.
"No sugar? You abandon it in the war-time, eh?"
"No, I never take it in coffee."
"Sacré!" murmured Poirot to himself, as he brought back the replenished cup.
Only I heard him, and glancing up curiously at the little man I saw that his face was working with suppressed excitement, and his eyes were as green as a cat's. He had heard or seen something that had affected him strongly — but what was it? I do not usually label myself as dense, but I must confess that nothing out of the ordinary had attracted my attention.
In another moment, the door opened and Dorcas appeared.
"Mr. Wells to see you, sir," she said to John.
I remembered the name as being that of the lawyer to whom Mrs. Inglethorp had written the night before.
John rose immediately.
"Show him into my study." Then he turned to us. "My mother's lawyer," he explained. And in a lower voice: "He is also Coroner — you understand. Perhaps you would like to come with me?"
We acquiesced and followed him out of the room. John strode on ahead and I took the opportunity of whispering to Poirot:
"There will be an inquest then?"
Poirot nodded absently. He seemed absorbed in thought; so much so that my curiosity was aroused.
"What is it? You are not attending to what I say."
"It is true, my friend. I am much worried."
"Why?"
"Because Mademoiselle Cynthia does not take sugar in her coffee."
"What? You cannot be serious?"
"But I am most serious. Ah, there is something there that I do not understand. My instinct was right."
"What instinct?"
"The instinct that led me to insist on examining those coffee-cups. Chut! no more now!"
We followed John into his study, and he closed the door behind us.
Chapter VI — Two Questions of Importance
Mr. Wells was a pleasant man of middle-age, with keen eyes, and the typical lawyer's mouth. John introduced us both, and explained the reason of our presence.
"You will understand, Wells," he added, "that this is all strictly private. We are still hoping that there will turn out to be no need for investigation of any kind."
"Quite so, quite so," said Mr. Wells soothingly. "I wish we could have spared you the pain and publicity of an inquest, but of course it's quite unavoidable in the absence of a doctor's certificate."
"Yes, I suppose so."
"Clever man, Bauerstein. Great authority on toxicology, I believe."
"Indeed," said John with a certain stiffness in his manner. Then he added rather hesitatingly: "Shall we have to appear as witnesses — all of us, I mean?"
"You, of course — and ah — er — Mr. — er — Inglethorp."
A slight pause ensued before the lawyer went on in his soothing manner:
"Any other evidence will be simply confirmatory, a mere matter of form."
"I see."
A faint expression of relief swept over John's face. It puzzled me, for I saw no occasion for it.
"If you know of nothing to the contrary," pursued Mr. Wells, "I had thought of Friday. That will give us plenty of time for the doctor's report. The post-mortem is to take place to-night, I believe?"
"Yes."
"Then that arrangement will suit you?"
"Perfectly."
"I need not tell you, my dear Cavendish, how distressed I am at this most tragic affair."
"Can you give us no help in solving it, monsieur?" interposed Poirot, speaking for the first time since we had entered the room.
"I?"
"Yes, we heard that Mrs. Inglethorp wrote to you last night. You should have received the letter this morning."
"I did, but it contains no information. It is merely a note asking me to call upon her this morning, as she wanted my advice on a matter of great importance."
"She gave you no hint as to what that matter might be?"
"Unfortunately, no."
"That is a pity," said John.
"A great pity," agreed Poirot gravely.
There was silence. Poirot remained lost in thought for a few minutes. Finally he turned to the lawyer again.
"Mr. Wells, there is one thing I should like to ask you — that is, if it is not against professional etiquette. In the event of Mrs. Inglethorp's death, who would inherit her money?"
The lawyer hesitated a moment, and then replied:
"The knowledge will be public property very soon, so if Mr. Cavendish does not object —"
"Not at all," interpolated John.
"I do not see any reason why I should not answer your question. By her last will, dated August of last year, after various unimportant legacies to servants, etc., she gave her entire fortune to her stepson, Mr. John Cavendish."
"Was not that — pardon the question, Mr. Cavendish — rather unfair to her other stepson, Mr. Lawrence Cavendish?"
"No, I do not think so. You see, under the terms of their father's will, while John inherited the property, Lawrence, at his stepmother's death, would come into a considerable sum of money. Mrs. Inglethorp left her money to her elder stepson, knowing that he would have to keep up Styles. It was, to my mind, a very fair and equitable distribution."
Poirot nodded thoughtfully.
"I see. But I am right in saying, am I not, that by your English law that will was automatically revoked when Mrs. Inglethorp remarried?"
Mr. Wells bowed his head.
"As I was about to proceed, Monsieur Poirot, that document is now null and void."
"Hein!" said Poirot. He reflected for a moment, and then asked: "Was Mrs. Inglethorp herself aware of that fact?"
"I do not know. She may have been."
"She was," said John unexpectedly. "We were discussing the matter of wills being revoked by marriage only yesterday."
"Ah! One more question, Mr. Wells. You say 'her last will.' Had Mrs. Inglethorp, then, made several former wills?"
"On an average, she made a new will at least once a year," said Mr. Wells imperturbably. "She was given to changing her mind as to her testamentary dispositions, now benefiting one, now another member of her family."
"Suppose," suggested Poirot, "that, unknown to you, she had made a new will in favour of someone who was not, in any sense of the word, a member of the family — we will say Miss Howard, for instance — would you be surprised?"
"Not in the least."
"Ah!" Poirot seemed to have exhausted his questions.
I drew close to him, while John and the lawyer were debating the question of going through Mrs. Inglethorp's papers.
"Do you think Mrs. Inglethorp made a will leaving all her money to Miss Howard?" I asked in a low voice, with some curiosity.
Poirot smiled.
"No."
"Then why did you ask?"
"Hush!"
John Cavendish had turned to Poirot.
"Will you come with us, Monsieur Poirot? We are going through my mother's papers. Mr. Inglethorp is quite willing to leave it entirely to Mr. Wells and myself."
"Which simplifies matters very much," murmured the lawyer. "As technically, of course, he was entitled —" He did not finish the sentence.
"We will look through the desk in the boudoir first," explained John, "and go up to her bedroom afterwards. She kept her most important papers in a purple despatch-case, which we must look through carefully."
"Yes," said the lawyer, "it is quite possible that there may be a later will than the one in my possession."
"There is a later will." It was Poirot who spoke.
"What?" John and the lawyer looked at him startled.
"Or, rather," pursued my friend imperturbably, "there was one."
"What do you mean — there was one? Where is it now?"
"Burnt!"
"Burnt?"
"Yes. See here." He took out the charred fragment we had found in the grate in Mrs. Inglethorp's room, and handed it to the lawyer with a brief explanation of when and where he had found it.
"But possibly this is an old will?"
"I do not think so. In fact I am almost certain that it was made no earlier than yesterday afternoon."
"What?" "Impossible!" broke simultaneously from both men.
Poirot turned to John.
"If you will allow me to send for your gardener, I will prove it to you."
"Oh, of course — but I don't see —"
Poirot raised his hand.
"Do as I ask you. Afterwards you shall question as much as you please."
"Very well." He rang the bell.
Dorcas answered it in due course.
"Dorcas, will you tell Manning to come round and speak to me here."
"Yes, sir."
Dorcas withdrew.
We waited in a tense silence. Poirot alone seemed perfectly at his ease, and dusted a forgotten corner of the bookcase.
The clumping of hobnailed boots on the gravel outside proclaimed the approach of Manning. John looked questioningly at Poirot. The latter nodded.
"Come inside, Manning," said John, "I want to speak to you."
Manning came slowly and hesitatingly through the French window, and stood as near it as he could. He held his cap in his hands, twisting it very carefully round and round. His back was much bent, though he was probably not as old as he looked, but his eyes were sharp and intelligent, and belied his slow and rather cautious speech.
"Manning," said John, "this gentleman will put some questions to you which I want you to answer."
"Yessir," mumbled Manning.
Poirot stepped forward briskly. Manning's eye swept over him with a faint contempt.
"You were planting a bed of begonias round by the south side of the house yesterday afternoon, were you not, Manning?"
"Yes, sir, me and Willum."
"And Mrs. Inglethorp came to the window and called you, did she not?"
"Yes, sir, she did."
"Tell me in your own words exactly what happened after that."
"Well, sir, nothing much. She just told Willum to go on his bicycle down to the village, and bring back a form of will, or such-like — I don't know what exactly — she wrote it down for him."
"Well?"
"Well, he did, sir."
"And what happened next?"
"We went on with the begonias, sir."
"Did not Mrs. Inglethorp call you again?"
"Yes, sir, both me and Willum, she called."
"And then?"
"She made us come right in, and sign our names at the bottom of a long paper — under where she'd signed."
"Did you see anything of what was written above her signature?" asked Poirot sharply.
"No, sir, there was a bit of blotting paper over that part."
"And you signed where she told you?"
"Yes, sir, first me and then Willum."
"What did she do with it afterwards?"
"Well, sir, she slipped it into a long envelope, and put it inside a sort of purple box that was standing on the desk."
"What time was it when she first called you?"
"About four, I should say, sir."
"Not earlier? Couldn't it have been about half-past three?"
"No, I shouldn't say so, sir. It would be more likely to be a bit after four — not before it."
"Thank you, Manning, that will do," said Poirot pleasantly.
The gardener glanced at his master, who nodded, whereupon Manning lifted a finger to his forehead with a low mumble, and backed cautiously out of the window.
We all looked at each other.
"Good heavens!" murmured John. "What an extraordinary coincidence."
"How — a coincidence?"
"That my mother should have made a will on the very day of her death!"
Mr. Wells cleared his throat and remarked drily:
"Are you so sure it is a coincidence, Cavendish?"
"What do you mean?"
"Your mother, you tell me, had a violent quarrel with — someone yesterday afternoon —"
"What do you mean?" cried John again. There was a tremor in his voice, and he had gone very pale.
"In consequence of that quarrel, your mother very suddenly and hurriedly makes a new will. The contents of that will we shall never know. She told no one of its provisions. This morning, no doubt, she would have consulted me on the subject — but she had no chance. The will disappears, and she takes its secret with her to her grave. Cavendish, I much fear there is no coincidence there. Monsieur Poirot, I am sure you agree with me that the facts are very suggestive."
"Suggestive, or not," interrupted John, "we are most grateful to Monsieur Poirot for elucidating the matter. But for him, we should never have known of this will. I suppose, I may not ask you, monsieur, what first led you to suspect the fact?"
Poirot smiled and answered:
"A scribbled over old envelope, and a freshly planted bed of begonias."
John, I think, would have pressed his questions further, but at that moment the loud purr of a motor was audible, and we all turned to the window as it swept past.
"Evie!" cried John. "Excuse me, Wells." He went hurriedly out into the hall.
Poirot looked inquiringly at me.
"Miss Howard," I explained.
"Ah, I am glad she has come. There is a woman with a head and a heart too, Hastings. Though the good God gave her no beauty!"
Chapter VII — The Inquest Opens
Miss Howard arrived like a small storm. She had started the moment she got the telegram, she said, and had come straight from night duty at the hospital in Middlingham, and had hired a car to bring her the last fifteen miles. She had not stopped for food, and when John tried to persuade her to come into the dining-room and have something, she waved him aside and demanded to know what had been done.
John told her about the post-mortem, and the inquest, and the fact that Poirot had been called in. She looked at Poirot with the frank suspicion of a woman who has no great opinion of foreigners, and then, apparently deciding that he would do, said that she was glad, and asked whether they had arrested Alfred Inglethorp yet. John said that they had not, and Miss Howard said that they were all off their heads, and that the man would be out of the country by the time the inquest was held if they did not look sharp.
The inquest was held on Friday, at the Stylites Arms in the village. Poirot and I sat together, not being required to give evidence. The preliminaries were gone through. The jury viewed the body, and John Cavendish gave evidence of identification, and described his awakening in the early hours of the morning, and the circumstances of his mother's death. The medical evidence was next taken. There was a breathless hush, and every eye was fixed on the famous London specialist, who was known to be one of the greatest authorities of the day on the subject of toxicology.
In a few brief words, Dr. Bauerstein summed up the result of the post-mortem. Shorn of its medical phraseology and technicalities, it amounted to the fact that Mrs. Inglethorp had met her death as the result of strychnine poisoning. Judging from the quantity recovered, she must have taken not less than three-quarters of a grain of strychnine, but probably one grain or slightly over.
"Is it possible that she could have swallowed the poison by accident?" asked the Coroner.
"I should consider it very unlikely. Strychnine is not used for domestic purposes, as some poisons are, and there are restrictions placed on its sale."
"Does anything in your examination lead you to determine how the poison was administered?"
"No."
"You arrived at Styles before Dr. Wilkins, I believe?"
"That is so. The motor met me just outside the lodge gates, and I hurried there as fast as I could."
"Will you relate to us exactly what happened next?"
"I entered Mrs. Inglethorp's room. She was at that moment in a typical tetanic convulsion. She turned towards me, and gasped out: 'Alfred — Alfred —'"
"Could the strychnine have been administered in Mrs. Inglethorp's after-dinner coffee which was taken to her by her husband?"
"Possibly, but strychnine is a fairly rapid drug in its action. The symptoms appear from one to two hours after it has been swallowed. It is retarded under certain conditions, none of which, however, appear to have been present in this case. I presume Mrs. Inglethorp took the coffee after dinner about eight o'clock, whereas the symptoms did not manifest themselves until the early hours of the morning, which, on the face of it, points to the drug having been taken much later in the evening."
"Mrs. Inglethorp was in the habit of drinking a cup of cocoa in the middle of the night. Could the strychnine have been administered in that?"
"No, I myself took a sample of the cocoa remaining in the saucepan and had it analysed. There was no strychnine present."
I heard Poirot chuckle softly beside me.
"How did you know?" I whispered.
"Listen."
"I should say" — the doctor was continuing — "that I would have been considerably surprised at any other result."
"Why?"
"Simply because strychnine has an unusually bitter taste. It can be detected in a solution of one in seventy thousand, and can only be disguised by some strongly flavoured substance. Cocoa would be quite powerless to mask it."
One of the jury wanted to know if the same objection applied to coffee.
"No. Coffee has a bitter taste of its own which would probably cover the taste of strychnine."
"Then you consider it more likely that the drug was administered in the coffee, but that for some unknown reason its action was delayed."
"Yes, but, the cup being completely smashed, there is no possibility of analyzing its contents."
This concluded Dr. Bauerstein's evidence. Dr. Wilkins corroborated it on all points. Sounded as to the possibility of suicide, he repudiated it utterly. The deceased, he said, suffered from a weak heart, but otherwise enjoyed perfect health, and was of a cheerful and well-balanced disposition. She would be one of the last people to take her own life.
Lawrence Cavendish was next called. His evidence was quite unimportant, being a mere repetition of that of his brother. Just as he was about to step down, he paused, and said rather hesitatingly:
"I should like to make a suggestion if I may?"
He glanced deprecatingly at the Coroner, who replied briskly:
"Certainly, Mr. Cavendish, we are here to arrive at the truth of this matter, and welcome anything that may lead to further elucidation."
"It is just an idea of mine," explained Lawrence. "Of course I may be quite wrong, but it still seems to me that my mother's death might be accounted for by natural means."
"How do you make that out, Mr. Cavendish?"
"My mother, at the time of her death, and for some time before it, was taking a tonic containing strychnine."
"Ah!" said the Coroner.
The jury looked up, interested.
"I believe," continued Lawrence, "that there have been cases where the cumulative effect of a drug, administered for some time, has ended by causing death. Also, is it not possible that she may have taken an overdose of her medicine by accident?"
"This is the first we have heard of the deceased taking strychnine at the time of her death. We are much obliged to you, Mr. Cavendish."
Dr. Wilkins was recalled and ridiculed the idea.
"What Mr. Cavendish suggests is quite impossible. Any doctor would tell you the same. Strychnine is, in a certain sense, a cumulative poison, but it would be quite impossible for it to result in sudden death in this way. There would have to be a long period of chronic symptoms which would at once have attracted my attention. The whole thing is absurd."
"And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?"
"Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem."
"Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?"
"Certainly. The supposition is ridiculous."
The same juryman who had interrupted before here suggested that the chemist who made up the medicine might have committed an error.
"That, of course, is always possible," replied the doctor.
But Dorcas, who was the next witness called, dispelled even that possibility. The medicine had not been newly made up. On the contrary, Mrs. Inglethorp had taken the last dose on the day of her death.
So the question of the tonic was finally abandoned, and the Coroner proceeded with his task. Having elicited from Dorcas how she had been awakened by the violent ringing of her mistress's bell, and had subsequently roused the household, he passed to the subject of the quarrel on the preceding afternoon.
Dorcas's evidence on this point was substantially what Poirot and I had already heard. She repeated what she had told us about the raised voices, and the words about scandal between husband and wife, and the look on her mistress's face at five o'clock, and the slip of paper she had been holding in her hand. The Coroner questioned her closely, and she held to her story, and it was clear that the jury was impressed.
Then came the sensation of the day. The Coroner called Albert Mace, chemist's assistant.
It was our agitated young man of the pale face. In answer to the Coroner's questions, he explained that he was a qualified pharmacist, but had only recently come to this particular shop, as the assistant formerly there had just been called up for the army.
These preliminaries completed, the Coroner proceeded to business.
"Mr. Mace, have you lately sold strychnine to any unauthorized person?"
"Yes, sir."
"When was this?"
"Last Monday night."
"Monday? Not Tuesday?"
"No, sir, Monday, the 16th."
"Will you tell us to whom you sold it?"
You could have heard a pin drop.
"Yes, sir. It was to Mr. Inglethorp."
Every eye turned simultaneously to where Alfred Inglethorp was sitting, impassive and wooden. He started slightly, as the damning words fell from the young man's lips. I half thought he was going to rise from his chair, but he remained seated, although a remarkably well acted expression of astonishment rose on his face.
"You are sure of what you say?" asked the Coroner sternly.
"Quite sure, sir."
"Are you in the habit of selling strychnine indiscriminately over the counter?"
The wretched young man wilted visibly under the Coroner's frown.
"Oh, no, sir — of course not. But, seeing it was Mr. Inglethorp of the Hall, I thought there was no harm in it. He said it was to poison a dog."
Inwardly I sympathized. It was only human nature to endeavour to please "The Hall" — especially when it might result in custom being transferred from Coot's to the local establishment.
"Is it not customary for anyone purchasing poison to sign a book?"
"Yes, sir, Mr. Inglethorp did so."
"Have you got the book here?"
"Yes, sir."
It was produced; and, with a few words of stern censure, the Coroner dismissed the wretched Mr. Mace.
Then, amidst a breathless silence, Alfred Inglethorp was called. Did he realize, I wondered, how closely the halter was being drawn around his neck?
The Coroner went straight to the point.
"On Monday evening last, did you purchase strychnine for the purpose of poisoning a dog?"
Inglethorp replied with perfect calmness:
"No, I did not. There is no dog at Styles, except an outdoor sheepdog, which is in perfect health."
"You deny absolutely having purchased strychnine from Albert Mace on Monday last?"
"I do."
"Do you also deny this?"
The Coroner handed him the register in which his signature was inscribed.
"Certainly I do. The hand-writing is quite different from mine. I will show you."
He took an old envelope out of his pocket, and wrote his name on it, handing it to the jury. It was certainly utterly dissimilar.
"Then what is your explanation of Mr. Mace's statement?"
Alfred Inglethorp replied imperturbably:
"Mr. Mace must have been mistaken."
The Coroner hesitated for a moment, and then said:
"Mr. Inglethorp, as a mere matter of form, would you mind telling us where you were on the evening of Monday, July 16th?"
"Really — I cannot remember."
"That is absurd, Mr. Inglethorp," said the Coroner sharply. "Think again."
Inglethorp shook his head.
"I cannot tell you. I have an idea that I was out walking."
"In what direction?"
"I really can't remember."
The Coroner's face grew graver.
"Were you in company with anyone?"
"No."
"Did you meet anyone on your walk?"
"No."
"That is a pity," said the Coroner dryly. "I am to take it then that you decline to say where you were at the time that Mr. Mace positively recognized you as entering the shop to purchase strychnine?"
"If you like to take it that way, yes."
"Be careful, Mr. Inglethorp."
Poirot was fidgeting nervously.
"Sacré!" he murmured. "Does this imbecile of a man want to be arrested?"
Inglethorp was indeed creating a bad impression. His futile denials would not have convinced a child. The Coroner, however, passed briskly to the next point, and Poirot drew a deep breath of relief.
"You had a discussion with your wife on Tuesday afternoon?"
"Pardon me," interrupted Alfred Inglethorp, "you have been misinformed. I had no quarrel with my dear wife. The whole story is absolutely untrue. I was absent from the house the entire afternoon."
"Have you anyone who can testify to that?"
"You have my word," said Inglethorp haughtily.
The Coroner did not trouble to reply.
"There are two witnesses who will swear to having heard your disagreement with Mrs. Inglethorp."
"Those witnesses were mistaken."
I was puzzled. The man spoke with such quiet assurance that I was staggered. I looked at Poirot. There was an expression of exultation on his face which I could not understand. Was he at last convinced of Alfred Inglethorp's guilt?
"Mr. Inglethorp," said the Coroner, "you have heard your wife's dying words repeated here. Can you explain them in any way?"
"Certainly I can."
"You can?"
"It seems to me very simple. The room was dimly lighted. Dr. Bauerstein is much of my height and build, and, like me, wears a beard. In the dim light, and suffering as she was, my poor wife mistook him for me."
"Ah!" murmured Poirot to himself. "But it is an idea, that!"
"You think it is true?" I whispered.
"I do not say that. But it is truly an ingenious supposition."
"You read my wife's last words as an accusation" — Inglethorp was continuing — "they were, on the contrary, an appeal to me."
The Coroner reflected a moment, then he said:
"I believe, Mr. Inglethorp, that you yourself poured out the coffee, and took it to your wife that evening?"
"I poured it out, yes. But I did not take it to her. I meant to do so, but I was told that a friend was at the hall door, so I laid down the coffee on the hall table. When I came through the hall again a few minutes later, it was gone."
This statement might, or might not, be true, but it did not seem to me to improve matters much for Inglethorp. In any case, he had had ample time to introduce the poison.
At that point, Poirot nudged me gently, indicating two men who were sitting together near the door. One was a little, sharp, dark, ferret-faced man, the other was tall and fair.
I questioned Poirot mutely. He put his lips to my ear.
"Do you know who that little man is?"
I shook my head.
"That is Detective Inspector James Japp of Scotland Yard — Jimmy Japp. The other man is from Scotland Yard too. Things are moving quickly, my friend."
I stared at the two men intently. There was certainly nothing of the policeman about them. I should never have suspected them of being official personages.
I was still staring, when I was startled and recalled by the verdict being given:
"Wilful Murder against some person or persons unknown."
Historical Context — Poisoning and the Chemist's Shop in 1917
The sale of strychnine in wartime England was not, as the novel makes clear, a matter of complete indifference. The Pharmacy Act of 1868 had imposed restrictions on the sale of poisons, requiring them to be recorded in a poisons register, signed for by the purchaser, and sold only under the supervision of a qualified pharmacist. But the law was unevenly enforced, especially in small villages where the local chemist knew his customers by sight and was inclined to be accommodating. Strychnine was widely available as a rat poison and a vermin killer, and the quantities sold were not always carefully monitored. The novel's detail — that Mace sold the strychnine because the purchaser was "Mr. Inglethorp of the Hall" — is a precise piece of social observation. In a village like Styles St. Mary, the Hall was the centre of the world, and the chemist's assistant, new to the neighbourhood and anxious to please, was exactly the sort of person who might stretch the rules for a man of consequence. The register, the signed entry, the easily mistaken handwriting — all of this is drawn from the ordinary practice of the period, and it is the ordinary practice of the period that makes the crime possible.
Literary Note — The Clue and the Fair-Play Tradition
The Mysterious Affair at Styles is one of the founding documents of what came to be called the "fair play" detective story. The principle, laid down by Christie and her contemporaries and later codified by writers such as S. S. Van Dine and Ronald Knox, is that the reader must be given every piece of information necessary to solve the mystery, and that the detective must not triumph through information withheld from the reader. Christie is scrupulous about this. The shattered coffee cup, the stain on the carpet, the candle grease, the scrap of green fabric, the empty bromide box, the missing key, the smell of cocoa — every one of these is placed before the reader in the course of the investigation, and every one of them is essential to the solution. What the reader cannot do, on a first reading, is understand what they mean. This is the central pleasure of the form: the clues are all there, and yet they do not add up until the detective shows you how to add. Christie's particular genius was to construct puzzles in which the truth is both entirely visible and entirely hidden, and The Mysterious Affair at Styles shows her discovering that genius for the first time.
Original Value — The Role of the Narrator in Detective Fiction
Hastings is one of the great narrative inventions of the detective genre, and it is worth pausing to appreciate how unusual he is. He is not a Watson in the sense of being the competent recorder of a great man's methods. He is a man of good sense and real courage, with a decent eye for detail, who understands almost nothing of what he sees. His reports are accurate; his conclusions are wrong. And this is precisely the point. Christie uses Hastings to keep the reader at a particular distance from the truth — close enough to see everything, far enough not to understand it. When Hastings is certain that the cocoa was poisoned, the reader is certain too, and both are wrong. When Hastings is certain that Inglethorp is guilty, the reader follows him, and both are wrong again. The narrative voice is not a neutral window; it is a device, and a highly sophisticated one. It allows Christie to be entirely fair with the reader while still, at every turn, leading the reader astray. Later writers would refine the technique — Agatha Christie herself would refine it repeatedly — but it begins here, with Hastings, and it remains one of the most effective instruments in the mystery writer's toolkit.
Continue the Series
In Playbook 3 — The Inquest and the Arrest — the coroner's court returns its verdict, and Scotland Yard begins to move. Poirot, convinced that the obvious suspect is not the guilty man, must work against the police as well as the murderer, and a chance encounter in the village will give him the first real proof of his theory — a proof that will change the direction of the entire case.
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References
Christie, Agatha. The Mysterious Affair at Styles. New York: John Lane, 1920. Public-domain edition available via Project Gutenberg.
Project Gutenberg. The Mysterious Affair at Styles. https://www.gutenberg.org/ebooks/863
Library of Congress. Catalogue record for The Mysterious Affair at Styles. https://catalog.loc.gov
Adapted from the original work by Agatha Christie
Public-domain status verified for the United States; other jurisdictions should be checked independently.